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                        <loc>https://ginevrapetrozzi.com/the-old-world-is-dying</loc>
            
            
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                                            <image:caption>Now is the time of monsters, Installation view, The Ground is Shifting. Garage Rotterdam, 2026</image:caption>
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                        <loc>https://ginevrapetrozzi.com/the-old-world-is-dying-copy</loc>
            
            
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                                            <image:caption>Now is the time of monsters, Installation view, The Ground is Shifting. Garage Rotterdam, 2026</image:caption>
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            <url>
                        <loc>https://ginevrapetrozzi.com/greige-fantastic</loc>
            
            
            <lastmod>2026-05-11T17:39:34+00:00</lastmod>
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Magical Remedies to retrieve the animatedness of art objects, Remedy to see things more clearly, with “Sainte Odile” by Dodi Espinosa, VBCN, De Nederlansche Bank, 2026&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;REMEDY TO SEE THINGS MORE CLEARLY: Sainte Odile can perform miracles regarding the sight: heal eyes, see things more clearly or even receive enlightenment. It will be surrounded by votive offerings depicting eyes. They will be the witnesses of Sainte Odile’s miracles that many have received and many can receive in the future. Visitors are welcome to ask Sainte Odile for miracles too. If your miracle is granted, you should come back to Sainte Odile and give thanks by bringing her an offering.&lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;
Magical Remedies to retrieve the animatedness of art objects, Remedy to fortify brotherly love with “De Duvelbanner” by Carmen Schabracq, VBCN, De Nederlansche Bank, 2026&lt;/span&gt;&lt;br /&gt;REMEDY TO FORTIFY BROTHERLY LOVE: The painting tells the story of a Duvelbanner, a figure in Frisian folklore who was considered a kind of magician, one who could drive spirits away. In this specific instance, the Duvelbanner is freeing the ghost of two brothers who died. The first brother died because of too much alcohol, and the second brother died of sadness caused by the passing of his sibling. The remedy for the painting is to look into a mirror partially covered by soil, coming from Friesland. The smell of Friesland will remind the painting of its history. Engraved in the mirror, the sentence “Zij zijn voor altijd verenigd” (They are united forever), reminds the brothers of their everlasting love, even in the afterlife. &lt;br /&gt;
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                                            <image:caption>&lt;span class=&quot;caption&quot;&gt;Magical Remedies to retrieve the animatedness of art objects, Remedy for cross planes of reality with “ Tsjolby” by Iene Vonk, VBCN, De Nederlansche Bank, 2026&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/N2931874829998562793095358428126/044.DNB--GINEVRA-PETROZZI-.E.A.-DE-PASKAMER.2026--PH.GJ.vanROOIJ.jpg</image:loc>
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        </url>
            <url>
                        <loc>https://ginevrapetrozzi.com/its-the-end-of-the-world-as-we-know-it</loc>
            
            
            <lastmod>2026-05-11T17:39:34+00:00</lastmod>
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                                            <image:caption>It’s The End Of The World As We Know It, Installation View, Minorite Church, Maribor (SLO); Credit: MFRU31 Archive&lt;br /&gt;
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                                            <image:caption>It’s The End Of The World As We Know It, Installation view, Minorite Church, Maribor (SLO); Credit: MFRU31 Archive</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2613045493835595815012947047390/_HSF3281.jpg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2613047121557846135070072091614/apollo1.jpg</image:loc>
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                                            <image:caption>Etruscan Gorgon Antefix, VI cen. BC, from Portonaccio Templum in Veio; Modified file for screen impression with high contract greyscale&lt;br /&gt;
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        </url>
            <url>
                        <loc>https://ginevrapetrozzi.com/congregation-of-mysteries-</loc>
            
            
            <lastmod>2026-05-11T17:39:33+00:00</lastmod>
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                                            <image:caption>&lt;i&gt;Congregation of Mysteries,  (Amulet #3) Materials: Part of a church kneeling bench, Panasonic plasma television, SATOR square burning in the screen, &amp;#x27;Protect us&amp;#x27; charm, depiction of Notre Dame  burning; Jan van Eyck Academie 2024&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/i&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://ginevrapetrozzi.com/the-holistic-technology-salon</loc>
            
            
            <lastmod>2026-05-11T17:39:33+00:00</lastmod>
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                                            <image:caption>The Holistic Technology Salon, Session I, led by Annika Kappner&lt;br /&gt;
‘BEING with Technology’
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                    <image:loc>https://freight.cargo.site/t/original/i/E1730289466418766369164609432942/34915019-4F2D-4629-B297-BAB6823F02A5.PNG</image:loc>
                                            <image:caption>The Holistic Technology Salon, Session I, led by Annika Kappner&lt;br /&gt;
‘BEING with Technology’
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                    <image:loc>https://freight.cargo.site/t/original/i/Q1730303736875322023094868225390/15-9-23-19.jpg</image:loc>
                                            <image:caption>The Holistic Technology Salon II, led by Ginevra Petrozzi, ‘LETTING GO with Technology’&lt;br /&gt;
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                                            <image:caption>The Holistic Technology Salon II, led by Ginevra Petrozzi; LETTING GO with Technology
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                                            <image:caption>The Holistic Technology Salon, Session IV, led by Sisonke Papu ‘KHNYSA’</image:caption>
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                                            <image:caption>The Holistic Technology Salon, Session IV, led by Sisonke Papu ‘KHNYSA’</image:caption>
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        </url>
            <url>
                        <loc>https://ginevrapetrozzi.com/bite-off-more-than-you-can-chew</loc>
            
            
            <lastmod>2026-05-11T17:39:33+00:00</lastmod>
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                                            <image:caption>&lt;i&gt;BOMTYCC, Re-humanism prize, WeGIL, Rome (IT), 2023 &lt;div style=&quot;text-align: left&quot;&gt;Photo by Giorgio Benni&lt;/div&gt;&lt;/i&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/F1717527630673427102163433401710/_GB12870.JPG</image:loc>
                                            <image:caption>&lt;i&gt;BOMTYCC, Re-humanism prize, WeGIL, Rome (IT), 2023 &lt;div style=&quot;text-align: left&quot;&gt;Photo by Giorgio Benni&lt;/div&gt;&lt;/i&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/K1717527776089110635215828790638/Screenshot-2024-03-04-at-23.00.31.png</image:loc>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;i&gt;BOMTYCC, Installation view Re-humanism prize, WeGIL, Rome (IT), 2023 ; Photo by Giorgio Benni&lt;/i&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;i&gt;BOMTYCC, Re-humanism prize, WeGIL, Rome (IT), 2023; Photo by Giorgio Benni&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
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                                            <image:caption>&lt;div style=&quot;text-align: left&quot;&gt;&lt;i&gt;BOMTYCC, Re-humanism prize, WeGIL, Rome (IT), 2023, Photo by Giorgio Benni&lt;/i&gt;&lt;/div&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://ginevrapetrozzi.com/funeral-for-digital-data</loc>
            
            
            <lastmod>2026-05-11T17:39:33+00:00</lastmod>
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                                            <image:caption>&lt;i&gt;Funeral for digital data,  Performance view, Art Verona, 2022&lt;/i&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Funeral for digital data,  Performance view, Art Verona, 2022&lt;/i&gt;</image:caption>
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            <url>
                        <loc>https://ginevrapetrozzi.com/prophetai</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/O1727042271357416250047132314990/DSC00561.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Prophetai, Workshop for Beyond Binaries residency, Erinni Cult. Ass., Rome (IT), 2022&lt;br /&gt;
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&lt;/i&gt;</image:caption>
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            <url>
                        <loc>https://ginevrapetrozzi.com/digital-esoterism</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/K1606536611476212370051943538355/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;i&gt;Credits: Design Academy Eindhoven, 2021, Photographer: Pierre Castignola&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Credits: Design Academy Eindhoven, 2021, Photographer: Pierre Castignola&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>Credits: Design Academy Eindhoven, 2021, Photographer: Pierre Castignola</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y1727133500504996031730450410862/Digital Esoterism: a techno-divinatory practice</image:loc>
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                <image:image>
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                                            <image:caption>&lt;i&gt;When things are beings, performances, Stedelijk Museum, Amsterdam, 2022, Photographer: 










Maarten Nauw&lt;br /&gt;
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&lt;/i&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/T1738198108273212238428824120686/2022.whenthingsarebeingsperformances.maartennauw-23.jpg</image:loc>
                                            <image:caption>&lt;i&gt;When things are beings, performances, Stedelijk Museum, Amsterdam, 2022, Photographer: Maarten Nauw&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;When things are beings, performances, Stedelijk Museum, Amsterdam, 2022, Photographer: Maarten Nauw&lt;br /&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/O1738198566213633868268442987886/Digital-Esoterism--ITALY_-A-New-Collective-Landscape--Hong-Kong-Design-Institute--2024-.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Digital Esoterism, Italy A New Collective Landscape, Hong Kong Design Institute, 2024 &lt;/i&gt;&lt;br /&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P1738198566232080612342152539502/ITALY_-A-New-Collective-Landscape--Mousse-Magazine--Ph_-Delfino-Sisto-Legnani.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Digital Esoterism, Italy A New Collective Landscape, Hong Kong Design Institute, 2024 &lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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            <url>
                        <loc>https://ginevrapetrozzi.com/bimbo-cursor-paradise</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/K1606536611476212370051943538355/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;i&gt;Bimbo Cursor Paradise, Video, 6&amp;#x27;&amp;#x27;47&amp;#x27;&lt;/i&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I1730160091784072141637081607534/Bimbo Cursor Paradise, 2022</image:loc>
                                            <image:caption>&lt;i&gt;Bimbo Cursor Paradise, Video, 6&amp;#x27;&amp;#x27;47&amp;#x27;&lt;/i&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M1730162352026730005121022012782/bimbo.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Bimbo Cursor Paradise, Performance and text,  Performance Bar Rotterdam (NL), 2022&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Bimbo Cursor Paradise, EMERGENZ, Galerie Grolman, Berlin (DE), 2023&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Bimbo Cursor Paradise, EMERGENZ, Galerie Grolman, Berlin (DE), 2023&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Performative lecture, V2_ Crash Course in Art &amp;#x26; Media Technology, 2024&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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            <url>
                        <loc>https://ginevrapetrozzi.com/meta-talismans</loc>
            
            
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            <url>
                        <loc>https://ginevrapetrozzi.com/thesis</loc>
            
            
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K1606536611476212370051943538355/horizontal_dark.svg</image:loc>
                                            <image:caption>&lt;i&gt;Digital Esoterism or To be a witch in the Age of Surveillance Capitalism, Inquiry- Editorial&lt;br /&gt;
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&lt;/i&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Digital Esoterism or To be a witch in the Age of Surveillance Capitalism, Inquiry- Editorial&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;</image:caption>
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            <url>
                        <loc>https://ginevrapetrozzi.com/knows-too-much-1</loc>
            
            
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                                            <image:caption>&lt;i&gt;Knows too much, Workshop and installation, Mu Hybrid Art House, 2021&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Knows Too Much, Water element, Installation &lt;br /&gt;
 gel mousepad, amethyst stone, fresh flowers, 2021&lt;/i&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Knows too much, Workshop and installation, Mu Hybrid Art House, 2021&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Knows too much, Scanning 1 (2021),&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Knows Too Much, Scan Accept All, 2021&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;Knows Too Much, Workshop and Installation, Mu Hybrid Art House, 2021&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;
&lt;br /&gt;
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                        <loc>https://ginevrapetrozzi.com/about</loc>
            
            
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